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Concert – Booking

July 6, 2014 by admin

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To book Bruce Cohen for a concert, please mail to this link to begin arrangements.

Please make “BLCinquiry” the first words in your email’s Subject/Title bar – this will get your email past “spam” blockers in the website’s privacy system.

The following formats are available:

1. Bruce Cohen as solo singer-songwriter:

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  • (a) acoustic guitar &/or piano only, with 1 microphone for vocals.
  • (b) with digital tracks background and inputs for electric guitar via effects pedal array and vocal mic.

 

2. Bruce Cohen performing with a one other vocalist.

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  • same options (a) and (b) as above,  but with two vocal microphone inputs

 

3. Bruce Cohen with folk-rock Band (number of musicians determined by request).

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  • Option (A) as above, but with multiple microphone inputs
  • Option (B) as above, but with multiple microphone and instrument inputs

 

Poetry

July 5, 2014 by admin

Poetry by Bruce Louis Cohen


On this page are samplings of various kinds of poetry written by Bruce L. Cohen outside of his song-lyric writing (available on different page with its own drop-down menu).

Publishers or agents with interest in commissioning new poetic works by Bruce Louis Cohen, or publishing extant works, please email to this link. Thank you.


For his wife’s every decade-marking birthday since their marriage in 1991, Bruce has written Debi 10 original, new sonnets for each year of the decade.

They were written to be a private collection all Debi’s own: but in mid-2014, Debi gave permission to publish some of them in the open.

Below are a few of the forty sonnets written so far – Decades by Years • Sonnets For Debi • Sonnets 1 through 40).


Decades by Years • Sonnets For Debi • (Vol. I: 1-30) • Bruce L. Cohen ©1997 • All Rights Reserved

4.  My family wants to sleep on me, that’s all 
    They seem to want to do. First one then two
    Then three all have a piece of Abba, who
    Is just lying there, quite horizontal.
        Horizontal never had it so good,
        Or so sweet. And I, who used to dream of 
        Such a pure smother of cuddling love,
        As one, then two, then three all in the mood
    For me dig above, below beside and 
    Everywhere ... I sigh, and say so be it.
    The little two, they will soon enough flit
    Away into their bigness shying from such grand
        Umbrage as my form can now provide, and 
        You ... my Bun ... will still be there to smile and
        Hold and oooh and drain love thermally ... and 
        Mark with me the sheer wonder of it. Stand
            I do, and often shall. But the laying
            Down with you now, Family ... makes Abba sing.

    * (Fourth stanza is outside classic sonnet form here: I 
       experimented in the late 1970’s with re-inventing the sonnet: 
       some of that inclination lingers. Shakespearian, Miltonic, 
       Petrarchian & Cummingsian forms all beckon so. - BLC.)


10. We went through hell together, you and I,
    And somehow we survived, but how, I do
    Not know. The winds that tore, the hail that flew 
    And tore the softness out of us, God knows why,
        When we lost everything, every mooring 
        That held us to the stable shore was cut 
        By man’s inhumanity to man, but
        Made still sharper in the depth of the sting
    That came from raw betrayal by all whom
    We held dear. Did King David err in his
    Love of Saul? Was he a fool to stress
    His life with trust of one gone mad, and tomb
        Himself in the cave of madness only 
        For love of God and godly loyalty?


11. By Mount Tabor in the blonded hay, we 
    Kissed our separateness away, and how we 
    Kept level in our souls, or sanity
    Between us I will never know. To me
        It is all a blur, as I went from one
        Twoward toward you only you in that then
        That created this now; and we know when
        God does, He does what He knows should be done.
    So Debra and Barak came out of Mount
    Tabor, and tens of thousands with them (we
    Pray!). For we (the we that live because 
    We daredtoceaseourdanceofbeing d i s t a n t)
        arenowoneinsomanywayswecan’t
        begintotelljustwhereweendorstart


16. Jerusalem, Jerusalem. I hear
    It singing in your heart when quiet comes; 
    And some hard accommodation benumbs 
    The underseeth of hunger to be there.
        I know. I feel it, too. We both have stood
        Within her walls and as her children we
        Have danced in her streets and joyed in her, free 
        With our love for her and faith for her good
    As the plan of God unfolds for her and
    Us. The day will come when we know our
    Time and place in her; til then we labor
    For her good from here. One eye towards Our Land.
        We remember each day in Dispersion;
        The day is coming for our Inclusion.


20. You and I, we speak in code, and no one 
    Outside has a prayer of understanding 
    Even one so open word, the meaning
    Of the words is buried so in pure fun
        And history. Kids are bunlets, “One-let,
        Two-let.” Wives are buns, and husbands are huns; 
        “We’re leaving, “ and “Moon!” are laden with tons 
        Of undermeanings imbued with tacit
    Experience no two others share. We
    Alone are we, and Summersby is not 
    A possible scenario, so taut
    And sure are the lines that fix doubly.
        One plain sentence is all it takes to know, 
        Miles of us beneath every word speaks below.


21. “Be free!” It totally undid me, to
    See a paperclip set free. Ein Gedi
    Stood on the nearby horizon. And I
    Stood on the brink of commitment. The true
        Depth that little quip reached inside my soul 
        And pulled me closer to the waterfall
        In whose pool with cascading bluish wall
        Quite overwhelmed and washed and soaked in all 
    The dry and laughless lonelinesses love
    As yet had found no moistening means. 
    Above The lonely noise, my heart alaugh in chains
    With kingish waters flowing from above.
        When you, that little clip had thrown away 
        And opened with it me, as with a key.


29. You are the strongest summer I can know, 
    And how your summer sweetened all I see; 
    The gift of you in summer was bounty
    I can never repay you. To allow
        Me to spend your summer with you in this 
        Life God built for us; and know you know kiss 
        Your summer fond and every more to pass - 
        Makes me to wrap such deep-laden endless
    Embrace upon you. Pardon my over- 
    Coursing flood of words, but as your twenties 
    Leave I want to bid adieu with you ... thirties 
    Shall be easier at least. Spring weather
        Is milder than the summer, this we know. 
        But ahh, such times we grateful watch to go.

31.

Forty is what forty does and that is
Far from uniform – it might improve, it
Might devolve, it might reward or edit
Former goals or dreams – and pull at the seams
What once was thought and once believed to be
A destination absolutely so
Certain that it took no effort to know:
Of course that root would grow to such a tree
Then sun and night and wind and rain arrive
Informing all the growing that becomes
The life at forty with its own rhythms
Unbidden they emerge and they contrive
To live to love to learn and always better
A life devout to spirit and to letter.

37.
Married to the mob is quite a life; but
Married to the target of Capone takes
A special woman who of trouble makes
An opportunity to stand for what
Capone does not, no do the ones who fear
His anger. There are things worse than danger.
There are fates worse than jeopardy, there are
States worse than peril, and trials worse than mere
Movement into harm’s way. The peace of soul
That comes from no piece of soul surrendered
To mere fear of some hope being murdered
Can not be known by those without the will
To say “I’d rather die than give Capone my
Soul by calling ‘truth’ what a child knows a lie.

38.
“You want the truth? You can’t handle the truth!”
Jack says, “You messed with the wrong Marine.”
Few know how wrong a choice it’s ever been
To cross my wonderwoman – there’s a tooth
In mothers that comes out for kids like
No other force in the universe can
Come out for them: Ema rises to stand
Up for whatever they need, and can strike
A blow for their good with the strength of ten.
Nowhere no how no one will keep away
From her babies what they require each day
Each year each minute each life –will be won.
“You’ve messed with the wrong marine” if you have dared
To cause her sons to lack what might be secured.

39.
Israel is still later and not now. She
Sits there calling us but always later.
Jerusalem is home but is not here
And not now. How fortunate we are to be
Where we are until we are at last where
Our hearts have been from even long before
We became us – it’s impolite to stare
At the future when our now is so far
Above what could be Iowa … or New
Jersey. Thank God Manhattan is our call
For now until when Jerusalem will
Send her golden summons to us – right through
To exalt above our chief joy as it should
The City of the King, and work for its good.

40.
We have swum in Eilat’s bay and theatered
In New York. We have anniversaried
In the Plaza, Waldorf, Rainbow Room and
Popped many a cork. It has been so grand
To live and love and thirty with you as
You EmaWifeRebbetzinPal about
Through tests that would make a patriot doubt
His country – and you are not above pause
To question, reflect – or party hearty
With your HunBoysPalsShulmatesorYali
And savor every moment fierce or jolly
And remember why – always and ever why
You live and love and labour for the true prize:
To give the world what has worth in Heaven’s eyes.

 

Writing – Commissions or Hires

July 3, 2014 by admin

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Please contact this mail link to initiate a commission or hire in any arena of writing.

Please be sure to specify your arena(s) of interest.

Please make “BLCinquiry” the first words in your email’s Subject/Title bar – this will get your email past “spam” blockers in the website’s privacy system.

Thank you.

Music – Commissions or Hires

July 3, 2014 by admin

©1987 Bruce Louis Cohen • All Rights reserved

 

Bruce Cohen has composed everything from …

classically-styled a cappella choral fugues (see above and click here to listen with page-turned score)

to …

hard-rock tunes with harmonized lead guitar rides (click here to see and hear one from album recorded in famed “Studio 4” with Gold Record™ and Grammy™-winning producers Rick Coghill & Larry Gold).

He has been reviewed, performed, covered, and recorded as a front-line composer • arranger • producer • concert musician in every sphere of music in which he has worked to the present – which has, until 2014, been exclusively within religious music sphere.

As of mid-2014, this musician is looking for new mountains to climb.


 

From 2014 onward, this composer is willing to consider accepting commissions for:

  • Broadway musical plays or incidental music to plays
  • Film Scores
  • Classically-styled works for choral oratorio with orchestra and a cappella;
  • Orchestral, chamber, and choral works to be performed as music for ballet
  • Television Show, Commercial & Jingle composition
  • Conducting: either his own works (preferred), or works by other composers
  • Seminars or Workshops in Musicianship (performance, composition, recording – either religious or secular)

Those in a position to offer commissions might want to inquire about sponsoring or purchasing an already-begun piece in progress.


Initial inquiries about Commissioned Works may be started by emailing to this link.

Please make “BLCinquiry” the first words in your email’s Subject/Title bar – this will get your email past “spam” blockers in the website’s privacy system.

Thank you.

 

Film Scores

July 3, 2014 by admin

Film Scoring Header

Ready-To-Hear Cue Samples Are Below: more cues of all styles will be added on this page from time to time here.

 


Cue Samples

  1. Using extant public domain material for score: Für Elise by Ludwig Van Beethoven – –  a romantic background, breaking from tender scene into urgency.
  2. Original Film Score Cue by Bruce L. Cohen ©2014 All Rights Reserved • for driving up a dark mountain road – cellos suggest movement, muted brass dissonances suggest perhaps toward an accident or rendezvous – car horns either in Doppler compression or clashing in warning.

Studio Album “Fall Upon Us Now • Greatest Hits 1978-1999″ 1st disc (songs 1-9) gives good sense of vocal arranging (on Bruce Cohen tunes).

Fall Upon Us Now • Greatest Hits 1978-1999″ 2nd disc (songs 10-19) gives good sense of arranging and production in singer/songwriter framework.

 

 

Concerts

July 2, 2014 by admin

Bruce Cohen does concerts as a solo vocalist/instrumentalist, or with larger bands of colleague vocalists & instrumentalists.

Concert photos and video clips are below. • To book a concert, please e-mail your request via this link and you will be contacted shortly.

Please be sure to include your projected dates, and the nature of the concert event you plan. Thank you.

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CandRwcrowdhandsraised1      BLCwcrowdhandsraised       BLCkeybdwendflourish      BLCandJRosevockeybd2

You will be able to see from the crowd sizes and their responses – and that choreographers actually created new folk dances specifically for his songs – that Bruce Cohen’s music had deep impact on album-listeners and concert-goers.

Clip 1 – A sample of crowd response and size in final song of finale concert at Intentional Convention – audience of 1,000 or more.

Clip 2 – A keyboard solo done in Hammond B-3 sound as an homage to Keith Emerson, one of Bruce’s favorite keyboardists and main influences.

Clip 3 – Varied styles of synthesizer used to create “world-beat” sound duet with vocalist during end riffs against orchestral instruments.

Opinions, Articles, Reviews, & Regular Columns

June 27, 2014 by admin

Pieces Published By

2NYTIMESltrpublishedOnLegalProcess

 

3NYTIMESpublishedOnBias

 

Interview of world-famed figure: Aaron Copeland, America’s foremost classical composer.

 

For several years, Bruce L. Cohen was an Associate Editor and Lead Monograph Article Author for Messianic Jewish Life Magazine, published by Lederer Publishing of Baltimore, Maryland. Below are the covers of three of the magazine volumes containing lead articles by him. His Editorial credit is on the masthead bloc on the contents page.

Please CLICK ON EACH COVER to download the article in PDF format.

Article Title: “The Passed-Over Messiah”

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Article: The Middle East Crisis: Between The Lines

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Hanukkah: It’s Not Just The Jewish Christmas

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Bruce L. Cohen was also invited to contribute to leadership article series in periodicals like, First Fruits of Zion magazine.

Article Title: “Disowning Guile: A Commentary On Torah Portion, Behar”

 

Bruce L. Cohen was often published in “Kesher” scholarly theology journal, this Book Review of a ground-breaking theological work was done by Bruce L. Cohen at invitation of the renowned author & the periodical’s editorial Board:

The full articles appear below the cover of each issue below.

Kesher Covers

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Only a few Samples of Regular Column held for several years in theological quarterly, The Messianic Times

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Blog – Theological

June 24, 2014 by admin

This link leads to Bruce’s clergy blogging on his Manhattan congregation’s website.

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Essays – Published

June 20, 2014 by admin

Standard Format Available At This Link

    “Kindle” Format At This Link

Enjoy!


Standard Format Available At This Link

   E-Book Format Not Available

Enjoy!

Plays – For Stage

June 20, 2014 by admin

playsforstagebyblc

Thank you for your interest in Bruce Cohen as a stage playwright.

Details are not listed or viewable here due to standard industry practice regarding intellectual property.

Inquiries welcome regarding performing extant works, or commissioning a new ones.

 

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